SHOOT! OR NOT

by Dick Kraus
Staff Photographer
Newsday (retired)

 
News photographers are always discussing the ethics of shooting pictures of sensitive situations. One of those situations came up for me at one point in my career. One of two Long Island victims of the Heaven's Gate cult suicides was buried. The family had requested privacy at the funeral and grave site. But, our editors assigned me and a reporter to cover it, anyway. Isn't it grand that the people who make those decisions aren't the ones who have to face irate, grieving family and friends? The decision makers are tucked away in their insular offices while we grunts have to make lame excuses to the incredulous mourners. And they wonder why we seem to be losing touch with the people we serve.
 
This particular funeral was held in the small, upscale community of Locust Valley. I half expected to see a media antenna farm growing outside the church. But, the only media who showed up on this was a video cameraman from the local cable news station, and a still photographer from a NYC paper, in addition to our writer and me. I had gotten on site first and took a position across the street, where a 200mm zoom gave me all I needed. I certainly wasn't going to go "in your face" on this.
 
The reporter was a young man who was a recent hire for the police beat. I guess in deference to my age and experience (well, age, anyway) he asked if I thought he should try to sneak into the church to listen to the service.  I told him that he should do whatever he thought was appropriate. Although our paper's policy is not to intrude when asked to stay out, his editors were expecting a story. I said that if this were a funeral for some crazed psycho killer, I would have no qualms about acting more aggressively. But, these were "nice" people and didn't deserve to have their grief intruded upon. I related this story from an earlier time in my career.
 
The renowned ex-Brooklyn Dodger catcher, Roy Campanella, had gotten word that his wife of many years was suing him for divorce. Campanella, who lived not far from where this particular funeral was taking place, was a paraplegic, having been seriously injured in an auto accident at the peak of his career. He was confined to a wheelchair for the rest of his life.
 
I was assigned to accompany a female reporter to his home, in hopes of getting some comments to this latest turn of events, and possibly a photo to go with the story.
 
When we arrived at his house, we were told that he wasn't home. As we walked back to our cars, we looked around the corner of the house and saw Campanella in his wheelchair, talking to some man on the back patio. It was too far for a photograph based on the meager lens power that I owned in those days. As we stood on the sidewalk, contemplating our next move, Campanella's guest got into his car and drove off, and lo and behold, around the corner of the house came Roy Campanella by himself. He was trying to wheel himself to the front door. Why he came to the front instead of going in the back way, I'll never know. But, here he was coming toward us.
 
At some point, he looked up and saw us; me with a camera dangling from my neck. At that point, he lowered his head almost into his lap as he tried to pick up the pace and avoid us. We walked up to him and the reporter asked if she could talk to him about his marital situation. He mumbled something in the negative and kept wheeling to get into the house. We just stood there as he entered the sanctity of his home and closed the door behind him.
 
The reporter looked at me and said, "He was right in front of you, for cryin' out loud. Why didn't you shoot a picture?"
 
I responded. "Did you ever in your life see a more helpless, pathetic individual? We have a ton of pictures of the man in our library. There are plenty of them while he was an active player, and lots more of him after his accident. How could I possibly add to this man's degradation by taking his picture under these circumstances? Especially since he is one of the "nice" people."
 
I'm not sure what our editors would have said if they found out what had transpired that day. But, I can tell you, that I've always been able to sleep well at night.
 
Please don't misinterpret what I have recounted, here. Under the right set of circumstances, I have stuck my cameras "in your face" to get a photo. But every instance has to be judged on its own merit. There are no set rules for this. You, and only you, will ever know when to push the button, and when to back off.
 

 
 
Dick Kraus

newspix@optonline.net

http://www.newsday.com

 

 

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